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The mother puppet among reindeer — Mother Land
PROCESS

How one shot is made

Twenty-four photographs a second, gathered into motion. From a character born in the hands, to the set it stands on, to the moment it comes alive in front of the camera — the four stages of how Studio Yona makes a film.

Hands sculpting a puppet leg at the workbench
01 — PUPPET

We sculpt the characters by hand

Starting from design drawings, we build the armature — the jointed skeleton — add the body, and set costume and hair strand by strand. One puppet holds sculpture, craft and sewing at once.

Character designArmatureSculpt & costumeReplacement faces
An artist dressing the surface of a snow set
02 — SET

We build the world

A tundra of snow, a window in a small room, a dune in the desert. We fix the scale to the camera angle and build sets so that real material texture reads through the lens.

Background designScale & carpentryTexture & paintProps
An animator moving a puppet between the rig and the lights
03 — SHOOT

We move it one frame at a time

The animator moves the puppet a fraction and takes one picture — and that picture becomes 1/24 of a second on screen. Lighting, camera rigs and motion control hold that repetition steady. One minute of film takes 1,440 photographs.

AnimatingLighting & cameraRigs & motion control
A night forest with drifting light — after compositing and grading
04 — POST

Digital gives it wings

Rig removal, compositing, 2D effects, color grading, sound design. Digital craft pushes past the limits — without touching the warmth of what was shot by hand.

Compositing & rig removal2D FXDISound & music

Curious how we work?

Commissions, collaborations and workshop enquiries welcome.

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